"Ava" draws inspiration from the Latin association with 'bird,' symbolising freedom and connection to nature, 'Ava' resonates with a sense of vitality, desire, and harmony with the natural world.
"Ava", depicting a girl tenderly holding a bird bath with a feathered companion perched nearby, encapsulates the timeless beauty of harmony between humanity and nature.
It stands as a poignant reminder of our innate connection to the natural world and the profound joy that blossoms from nurturing and cherishing its delicate wonders."
"Ava" has a solid metal usuable bird bath - standing proud as a timeless testament.
Its form, frozen in time, captivates viewers with its intricate details and graceful contours. The rich patina of the bronze surface tells a story of age and endurance, a silent witness to the passage of time.
Each curve and line whispers of the creator's hands, breathing life into the inert metal - whether capturing a moment of triumph, a fleeting emotion, or an eternal truth, the bronze sculpture invites contemplation and reflection, bridging the gap between art and reality.
With its enduring presence, it stands as a symbol of beauty and strengt, transcending generations to inspire awe and admiration for centuries to come.
always limited edition series
made in UK/Ireland by family foundries
quality bronze metals used (88% copper)
certificate of authenticity for bronzes
Suitable for in or outdoor settings.
Contact Dawn for viewing, payment & delivery options email: hello@dawnconn.com
Ava / Foundry bronze
Sculptures can be shipped world wide at cost.
Size:
Metric – H: 110 W: 50 D: 47 centimetres (height / width / depth)
Imperial – H: 43 W: 20 D: 18.5 inches (height / width / depth)
Weight - 38 kgs
Medium: Foundry bronze
Foundry Bronze : the first stage of making a bronze is to sculpt the original out of clay, plaster or wax. Dawn uses different materials: e-poxy resin / vintage textiles soaked in resin and other reclaimed items. This is built up over a steel and aluminium anatomical skeleton known as an armature.
Over this original sculpture a silicon rubber mould is made to form a negative of the original.
Into the mould molten wax is slushed in and then poured out and allowed to cool, to form a hollow wax positive.
The seam line where the mould fitted together is then worked out and the sculpture cut up into castable sections.
To this a series of wax runners and risers is fitted, and these allow the molten bronze to flow in and the gases to come out. Once the wax is 'sprued up' it is coated inside and out with liquid ceramic and grit built up in layers to form a strong heat-resistant investment around the wax.
This is then baked upside down in an oven allowing the wax to melt out - hence the term 'Cirdu perdue or lost wax.
This forms a negative space of the original into which molten bronze can be poured at 1200°c. Other metals such as gold, silver and stainless steel can be cast using the same method.
When the bronze has cooled, the ceramic shell is chipped away and the sprues cut off. To remove the ceramic from the surface detail the bronze is placed in acid, which breaks down the investment.
If the bronze has been cast in several pieces, it is now welded together and chased. This is a highly skilled process recreating any surface detail.
The sculpture is now ready to be heated up and applied with various chemicals, which form the finished patina/colouration of the bronze.
Production time: 8 - 10 weeks upon receipt of deposit